''aka'' ''and'' is a

1990 File:1990 Events Collage.png, From left, clockwise: The 1990 FIFA World Cup is played in Italy; The Human Genome Project is launched; Voyager I takes the famous Pale Blue Dot image- speaking on the fragility of humanity on Earth, astrophysicist ...

Japanese '' pink film'' directed by

Hisayasu Satō is a Japanese exploitation film director. He has worked prolifically in the genre of '' pinku eiga'' films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film ''The Bedr ...

Synopsis

Three social outcasts who live near the seaside interact with each other in increasingly disturbing ways. The trio of characters are a woman who has killed her sister, a man who enjoys necrophilia, and a female amnesiac. The first woman engages in sadistic pursuits such as capturing young women at the beach to force them to engage in sexual activities, including copulation with a horse and a dog.

Background

Usually concerned with the alienation of modern urban life, ''Horse and Woman and Dog'' was the first of director Satō's films to have a non-urban setting, though his dark and disturbing style remained.Weisser, p. 469. Satō originally named the film ''Poaching By The Water'', but

Shintōhō Eiga is a Japanese pink film production company and film distributor located in Tokyo, Japan which has been among the most influential studios in the pink film genre since its beginnings. Foundation The first Shintōhō, or "New Toho", also known a ...

, the distributing company, chose to promote the scenes of bestiality in advertising, and gave it the more specific title ''Horse and Woman and Dog''. Such renaming by studios is common in the pink film industry. Kanako Kishi's sex scenes with animals created a good deal of controversy and resultant publicity.

's strategy paid off, and the film became a scandalous success, and, according to the studio's website, one of the top hits in Shintōhō's history. In his ''Behind the Pink Curtain: The Complete History of Japanese Sex Cinema'', Jasper Sharp singles out the opening scene of ''Horse and Woman and Dog'' as an example of Satō's technique for placing the audience at an uncomfortable position as viewers of his films. The sadistic woman is applying make-up to her face while looking into the mirror of a compact. As the sounds of a young girl's screams become more audible, the woman tilts the mirror so that her face is looking directly into the audience. Sunglasses prevent the audience from fully understanding how it is to interpret the woman's gaze. In their ''Japanese Cinema Encyclopedia: The Sex Films'', the Weissers give ''Horse Woman and Dog'' a qualified—due to the extreme nature of the film—rating of three out of four stars. The success of ''Horse and Woman and Dog'' led Satō to film a second bestiality-themed film the following year, ''Lady of the Stable'' (aka ''WAVE'', 1991).

Cast

* Kanako Kishi () as Yūko Hayakawa * Yuri Sasaki () as Maki Yano * Emi Uehara () as Norie Kiyama * Tatsuya Takahashi () as Akihisa Tsuda * Takahiko Kobayashi () as Shin Kijima * Kazuhiro Sano as Akira Migita

Availability

''Horse and Woman and Dog'' was released theatrically in May 1990. It was released to home video in the VHS format in 1999. On November 11, 2003, it was re-released under the title ''Horse and Dog and Lady''. On July 14, 2008,

made the film available through their online AV on Demand service at XCity.

Bibliography

English

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Japanese

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Notes

{{Hisayasu Satō 1990 films Films directed by Hisayasu Satō 1990s Japanese-language films Pink films Shintōhō Eiga films 1990s Japanese films